The Oxford handbook of Japanese cinema / edited by Daisuke Miyao
Material type:
- 9780199731664
- 791.430952 MIY
Item type | Current library | Call number | Copy number | Status | Barcode | |
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Main Library | 791.430952 MIY (Browse shelf(Opens below)) | 1 | Available | 47313 |
WHAT IS JAPANESE CINEMA STUDIES?: JAPANESE CINEMA AND CINEMA STUDIES......................................
Japanese Film without Japan: Toward a Nondisciplined Film Studies - ERIC CAZDYN...................................
Triangulating Japanese Film Style - BEN SINGER...................................
Critical Reception: Historical Conceptions of Japanese Film Criticism - AARON GEROW...................................
Creating the Audience: Cinema as Popular Recreation and Social Education in Modern Japan - HIDEAKI FUJIKI...................................
WHAT IS JAPANESE CINEMA?: JAPANESE CINEMA AND THE TRANSNATIONAL NETWORK...................................
Adaptation as "Transcultural Mimesis" in Japanese Cinema - MICHAEL RAINE...................................
The Edge of Montage: A Case of Modernism/Modanizumu in Japanese Cinema - CHIKA KINOSHITA...................................
Nationalizing Madame Butterfly: The Formation of Female Stars in Japanese Cinema - DAISUKE MIYAO...................................
Performing Colonial Identity: Byeonsa, Colonial Film Spectatorship, and the Formation of National Cinema in Korea under Japanese Colonial Rule - DONG HOON KIM...................................
Outpost of Hybridity: Paramount's Campaign in Japan, 1952-1962 HIROSHI KITAMURA...................................
Erasing China in Japan's "Hong Kong Films" - KWAI-CHEUNG LO...................................
The Emergence of the Asian Film Festival: Cold War Asia and Japan's Reentrance to the Regional Film Industry in the 1950s - SANGJOON LEE...................................
Yamagata-Asia-Europe: The International Film Festival Short Circuit - ABÉ MARK NORNES...................................
WHAT JAPANESE CINEMA IS!: JAPANESE CINEMA AND THE INTERMEDIAL PRACTICES...................................
Nitrate Film Production in Japan: A Historical Background of the Early Days - HIDENORI OKADA (Translated by AYAKO SAITO AND DAISUKE MIYAO)...................................
Sketches of Silent Film Sound in Japan: Theatrical Functions of Ballyhoo, Orchestras and Kabuki Ensembles - SHUHEI HOSOKAWA...................................
The Jidaigeki Film: Twilight Samurai-A Salaryman-Producer's Point of View - ICHIRO YAMAMOTO (Translated by DIANE WEI LEWIS)...................................
Occupation and Memory: The Representation of Woman's Body in Postwar Japanese Cinema - AYAKO SAITO...................................
Reading Nishijin (1961) as Cinematic Memory - MITSUYO WADA-MARCIANO...................................
By Other Hands: Environment and Apparatus in 1960s Intermedia
- MIRYAM SAS...................................
Viral Contagion in the Ringu Intertext - CARLOS ROJAS...................................
Media Mix and the Metaphoric Economy of World - ALEXANDER ZAHLTEN
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