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The Oxford handbook of Japanese cinema / edited by Daisuke Miyao

Contributor(s): Material type: TextTextPublication details: New York: Oxford University Press, 2014.Edition: 1st edDescription: 483pISBN:
  • 9780199731664
Subject(s): DDC classification:
  • 791.430952 MIY
Contents:
WHAT IS JAPANESE CINEMA STUDIES?: JAPANESE CINEMA AND CINEMA STUDIES...................................... Japanese Film without Japan: Toward a Nondisciplined Film Studies - ERIC CAZDYN................................... Triangulating Japanese Film Style - BEN SINGER................................... Critical Reception: Historical Conceptions of Japanese Film Criticism - AARON GEROW................................... Creating the Audience: Cinema as Popular Recreation and Social Education in Modern Japan - HIDEAKI FUJIKI................................... WHAT IS JAPANESE CINEMA?: JAPANESE CINEMA AND THE TRANSNATIONAL NETWORK................................... Adaptation as "Transcultural Mimesis" in Japanese Cinema - MICHAEL RAINE................................... The Edge of Montage: A Case of Modernism/Modanizumu in Japanese Cinema - CHIKA KINOSHITA................................... Nationalizing Madame Butterfly: The Formation of Female Stars in Japanese Cinema - DAISUKE MIYAO................................... Performing Colonial Identity: Byeonsa, Colonial Film Spectatorship, and the Formation of National Cinema in Korea under Japanese Colonial Rule - DONG HOON KIM................................... Outpost of Hybridity: Paramount's Campaign in Japan, 1952-1962 HIROSHI KITAMURA................................... Erasing China in Japan's "Hong Kong Films" - KWAI-CHEUNG LO................................... The Emergence of the Asian Film Festival: Cold War Asia and Japan's Reentrance to the Regional Film Industry in the 1950s - SANGJOON LEE................................... Yamagata-Asia-Europe: The International Film Festival Short Circuit - ABÉ MARK NORNES................................... WHAT JAPANESE CINEMA IS!: JAPANESE CINEMA AND THE INTERMEDIAL PRACTICES................................... Nitrate Film Production in Japan: A Historical Background of the Early Days - HIDENORI OKADA (Translated by AYAKO SAITO AND DAISUKE MIYAO)................................... Sketches of Silent Film Sound in Japan: Theatrical Functions of Ballyhoo, Orchestras and Kabuki Ensembles - SHUHEI HOSOKAWA................................... The Jidaigeki Film: Twilight Samurai-A Salaryman-Producer's Point of View - ICHIRO YAMAMOTO (Translated by DIANE WEI LEWIS)................................... Occupation and Memory: The Representation of Woman's Body in Postwar Japanese Cinema - AYAKO SAITO................................... Reading Nishijin (1961) as Cinematic Memory - MITSUYO WADA-MARCIANO................................... By Other Hands: Environment and Apparatus in 1960s Intermedia - MIRYAM SAS................................... Viral Contagion in the Ringu Intertext - CARLOS ROJAS................................... Media Mix and the Metaphoric Economy of World - ALEXANDER ZAHLTEN
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Item type Current library Call number Copy number Status Barcode
Books Books Main Library 791.430952 MIY (Browse shelf(Opens below)) 1 Available 47313
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WHAT IS JAPANESE CINEMA STUDIES?: JAPANESE CINEMA AND CINEMA STUDIES......................................

Japanese Film without Japan: Toward a Nondisciplined Film Studies - ERIC CAZDYN...................................

Triangulating Japanese Film Style - BEN SINGER...................................

Critical Reception: Historical Conceptions of Japanese Film Criticism - AARON GEROW...................................

Creating the Audience: Cinema as Popular Recreation and Social Education in Modern Japan - HIDEAKI FUJIKI...................................

WHAT IS JAPANESE CINEMA?: JAPANESE CINEMA AND THE TRANSNATIONAL NETWORK...................................

Adaptation as "Transcultural Mimesis" in Japanese Cinema - MICHAEL RAINE...................................

The Edge of Montage: A Case of Modernism/Modanizumu in Japanese Cinema - CHIKA KINOSHITA...................................

Nationalizing Madame Butterfly: The Formation of Female Stars in Japanese Cinema - DAISUKE MIYAO...................................

Performing Colonial Identity: Byeonsa, Colonial Film Spectatorship, and the Formation of National Cinema in Korea under Japanese Colonial Rule - DONG HOON KIM...................................

Outpost of Hybridity: Paramount's Campaign in Japan, 1952-1962 HIROSHI KITAMURA...................................

Erasing China in Japan's "Hong Kong Films" - KWAI-CHEUNG LO...................................

The Emergence of the Asian Film Festival: Cold War Asia and Japan's Reentrance to the Regional Film Industry in the 1950s - SANGJOON LEE...................................

Yamagata-Asia-Europe: The International Film Festival Short Circuit - ABÉ MARK NORNES...................................
WHAT JAPANESE CINEMA IS!: JAPANESE CINEMA AND THE INTERMEDIAL PRACTICES...................................

Nitrate Film Production in Japan: A Historical Background of the Early Days - HIDENORI OKADA (Translated by AYAKO SAITO AND DAISUKE MIYAO)...................................

Sketches of Silent Film Sound in Japan: Theatrical Functions of Ballyhoo, Orchestras and Kabuki Ensembles - SHUHEI HOSOKAWA...................................

The Jidaigeki Film: Twilight Samurai-A Salaryman-Producer's Point of View - ICHIRO YAMAMOTO (Translated by DIANE WEI LEWIS)...................................

Occupation and Memory: The Representation of Woman's Body in Postwar Japanese Cinema - AYAKO SAITO...................................

Reading Nishijin (1961) as Cinematic Memory - MITSUYO WADA-MARCIANO...................................

By Other Hands: Environment and Apparatus in 1960s Intermedia
- MIRYAM SAS...................................

Viral Contagion in the Ringu Intertext - CARLOS ROJAS...................................

Media Mix and the Metaphoric Economy of World - ALEXANDER ZAHLTEN

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