The Oxford handbook of Japanese cinema / (Record no. 39060)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03534nam a2200217 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250611185252.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250611b |||||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780199731664 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.430952 |
| Item number | MIY |
| 245 ## - TITLE STATEMENT | |
| Title | The Oxford handbook of Japanese cinema / |
| Statement of responsibility, etc | edited by Daisuke Miyao |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | New York: |
| Name of publisher, distributor, etc | Oxford University Press, |
| Date of publication, distribution, etc | 2014. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Total number of pages | 483p. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | WHAT IS JAPANESE CINEMA STUDIES?: JAPANESE CINEMA AND CINEMA STUDIES......................................<br/><br/>Japanese Film without Japan: Toward a Nondisciplined Film Studies - ERIC CAZDYN...................................<br/><br/>Triangulating Japanese Film Style - BEN SINGER...................................<br/><br/>Critical Reception: Historical Conceptions of Japanese Film Criticism - AARON GEROW...................................<br/><br/>Creating the Audience: Cinema as Popular Recreation and Social Education in Modern Japan - HIDEAKI FUJIKI...................................<br/><br/>WHAT IS JAPANESE CINEMA?: JAPANESE CINEMA AND THE TRANSNATIONAL NETWORK...................................<br/><br/>Adaptation as "Transcultural Mimesis" in Japanese Cinema - MICHAEL RAINE...................................<br/><br/>The Edge of Montage: A Case of Modernism/Modanizumu in Japanese Cinema - CHIKA KINOSHITA...................................<br/><br/>Nationalizing Madame Butterfly: The Formation of Female Stars in Japanese Cinema - DAISUKE MIYAO...................................<br/><br/>Performing Colonial Identity: Byeonsa, Colonial Film Spectatorship, and the Formation of National Cinema in Korea under Japanese Colonial Rule - DONG HOON KIM...................................<br/><br/>Outpost of Hybridity: Paramount's Campaign in Japan, 1952-1962 HIROSHI KITAMURA...................................<br/><br/>Erasing China in Japan's "Hong Kong Films" - KWAI-CHEUNG LO...................................<br/><br/>The Emergence of the Asian Film Festival: Cold War Asia and Japan's Reentrance to the Regional Film Industry in the 1950s - SANGJOON LEE...................................<br/><br/>Yamagata-Asia-Europe: The International Film Festival Short Circuit - ABÉ MARK NORNES...................................<br/>WHAT JAPANESE CINEMA IS!: JAPANESE CINEMA AND THE INTERMEDIAL PRACTICES...................................<br/><br/>Nitrate Film Production in Japan: A Historical Background of the Early Days - HIDENORI OKADA (Translated by AYAKO SAITO AND DAISUKE MIYAO)...................................<br/><br/>Sketches of Silent Film Sound in Japan: Theatrical Functions of Ballyhoo, Orchestras and Kabuki Ensembles - SHUHEI HOSOKAWA...................................<br/><br/>The Jidaigeki Film: Twilight Samurai-A Salaryman-Producer's Point of View - ICHIRO YAMAMOTO (Translated by DIANE WEI LEWIS)...................................<br/><br/>Occupation and Memory: The Representation of Woman's Body in Postwar Japanese Cinema - AYAKO SAITO...................................<br/><br/>Reading Nishijin (1961) as Cinematic Memory - MITSUYO WADA-MARCIANO...................................<br/><br/>By Other Hands: Environment and Apparatus in 1960s Intermedia<br/>- MIRYAM SAS...................................<br/><br/>Viral Contagion in the Ringu Intertext - CARLOS ROJAS...................................<br/><br/>Media Mix and the Metaphoric Economy of World - ALEXANDER ZAHLTEN<br/><br/> |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Japanese film study |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Japanese cinema criticism |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Transcultural mimesis |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | female stars in japanese cinema |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Miyao, Daisuke |
| Relator term | editor. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Dewey Decimal Classification |
| Item type | Books |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Date acquired | Source of acquisition | Cost, normal purchase price | Total Checkouts | Full call number | Barcode | Date last seen | Copy number | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | Main Library | Main Library | 11/06/2025 | Professional book centre | 18088.50 | 791.430952 MIY | 47313 | 11/06/2025 | 1 | 11/06/2025 | Books |