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The Orient and the young romantics / Andrew Warren.

By: Material type: TextTextPublication details: Cambridge : Cambridge University Press, 2016.Description: 279pISBN:
  • 9781107071902
Subject(s): DDC classification:
  • 808.80145 WAR
  • 23
Contents:
The book of fate ' the vice of the east robert southey's ---------- byron;s Lamebt Lara ---------- The spirit of oriental solitude : shelley's alasto and epipsychin ---------- the great sandy desert of politics ---------- Uperplexing bliss : the orient Keat's poetics ----------
Summary: "Through close readings of major poems, this book examines why the second-generation Romantic poets - Byron, Shelley, and Keats - stage so much of their poetry in Eastern or Orientalized settings. It argues that they do so not only to interrogate their own imaginations, but also as a way of criticizing Europe's growing imperialism. For them the Orient is a projection of Europe's own fears and desires. It is therefore a charged setting in which to explore and contest the limits of the age's aesthetics, politics and culture. Being nearly always self-conscious and ironic, the poets' treatment of the Orient becomes itself a twinned criticism of 'Romantic' egotism and the Orientalism practiced by earlier generations. The book goes further to claim that poems like Shelley's Revolt of Islam, Byron's 'Eastern' Tales, or even Keats's Lamia anticipate key issues at stake in postcolonial studies more generally"--
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Item type Current library Call number Copy number Status Barcode
Books Books Main Library 808.80145 WAR (Browse shelf(Opens below)) 1 Available 47255
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The book of fate ' the vice of the east robert southey's ----------

byron;s Lamebt Lara ----------

The spirit of oriental solitude : shelley's alasto and epipsychin ----------

the great sandy desert of politics ----------

Uperplexing bliss : the orient Keat's poetics ----------

"Through close readings of major poems, this book examines why the second-generation Romantic poets - Byron, Shelley, and Keats - stage so much of their poetry in Eastern or Orientalized settings. It argues that they do so not only to interrogate their own imaginations, but also as a way of criticizing Europe's growing imperialism. For them the Orient is a projection of Europe's own fears and desires. It is therefore a charged setting in which to explore and contest the limits of the age's aesthetics, politics and culture. Being nearly always self-conscious and ironic, the poets' treatment of the Orient becomes itself a twinned criticism of 'Romantic' egotism and the Orientalism practiced by earlier generations. The book goes further to claim that poems like Shelley's Revolt of Islam, Byron's 'Eastern' Tales, or even Keats's Lamia anticipate key issues at stake in postcolonial studies more generally"--

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